What? Annette Bening and Julianne Moore star as lesbians in a Lisa Cholodenko film? In another apparently excellent Lisa Cholodenko film? And it's not even my birthday?
Whoa!
Just in case you're not already dying to see the much anticipated "The Kids Are All Right," I offer up Mick LaSalle's review from today's San Francisco Chronicle. (Spoiler: He, like most critics, liked it. A lot.)
One of the best scenes of any film this year takes place in "The Kids Are All Right." The setting is a small dinner party at which Annette Bening, as a lesbian with a longtime partner (Julianne Moore), seems on the verge of some kind of breakdown. She is talking nonstop. She is being excessively ingratiating. Every word out of her mouth suddenly sounds strangely inauthentic, and you wonder what's happening to her. She's wondering, too.
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The scene resonates so well because it presents, with accuracy and subtlety, something that we've all experienced, but that is rarely depicted onscreen, and even then, almost never this well. It's the phenomenon of knowing something without knowing it - without even knowing what it is that you know. Though not consciously registering what's bothering her, this woman is picking up on a dynamic in the room, and with all her mental force and might - with every capacity she has for evasion and distraction - she is trying to keep that realization buried... The scene is an example of the rich and psychologically truthful work that [Cholodenko] does without being flashy and calling attention to it.
That's the good news. The bad news, according to Brett Hartinger at AfterElton (and others), is that "there's a very hoary lesbian stereotype at the dead center of this movie."
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